Wednesday, November 18, 2009

Ricoh GXR

Ricoh introduce a game-changing camera - with the sensor part of the lens! Typically the major manufacturers update their P&S cameras twice a year, DSLR's every couple of years, but DSLR users could usually count on lenses lasting 6-10 years before being outdated. By bringing the sensor into the lens, Ricoh now has the wonderful opportunity to update lenses on the a 2 year or less cycle also - "Is that the 10 megapixel or 15 megapixel version of the 24-72mm I see on your camera??". How many people out there are content with the results from a 6-10 year old digital sensor in light of today's cameras?

Full Press Release:

Ricoh announces the GXR interchangeable unit camera system

Lens, image sensor, and image processing engine integrated into a single interchangeable unit. World's smallest and lightest*.

Tokyo, Japan, November 10, 2009—Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the GXR interchangeable unit camera system featuring the world's smallest and lightest* digital camera with the ability to change lenses.

The new GXR is an interchangeable unit camera system in which lenses are changed by using a slide-in mount system to attach camera units to the body. The lens, image sensor, and image processing engine are integrated into the camera units so the body itself does not contain an image sensor.

With world-leading small size and low weight* enabling easy carrying, the GXR interchangeable unit camera system features a highly rigid magnesium alloy body and multiple camera units that can be changed to best fit the scene to be photographed. You can enjoy easy lens changes as well as amazing image quality and shooting flexibility. Concealing infinite possibilities in its small body, the GXR is a revolutionary camera system that pioneers a new realm of photography.

Distinctive characteristics

  1. Lens, image sensor, and image processing engine comprise an integrated unit which can be changed to match the scene being photographed.
  2. World's smallest and lightest* digital camera with interchangeable lenses
  3. System potential expanded through use of interchangeable units
*Internal flash, interchangeable lens digital cameras with lens attached. As of November 10, 2009, Ricoh research.

Main features of the new GXR

  1. Ideal form for an interchangeable lens camera: The interchangeable unit camera system
    • By integrating lens, image sensor, and image processing engine into a single optimized unit, we were able to created a compact camera with interchangeable lenses.
    • The adoption of this new system has made it possible to achieve both "pocket size for go-anywhere portability" and "the highest image quality for every photographic situation and subject."
    • Since the image sensor is not exposed when lenses are changed, the camera's structure makes it inherently difficult for dirt and dust to get inside.
    • Putting image processing engines in both the body and the camera units, our focus was on achieving the highest image quality.
  2. Elegant design
    • For the exterior, we utilized die cast magnesium, which has a strong track record in the GR series, and we covered the surface with a corrosion-resistant "pear-skin" coating. The end result is a body with superior levels of durability, light weight, and feel in hand.
    • Building on the operation control designs of the GR series and GX series, the GXR has several types of customizable buttons as well as the new DIRECT button, which the photographer can use to see many current settings at a glance. Sophisticated shooting settings can now be made faster than ever before.
    • The directional pad, the three My Settings, the ADJ.lever, and the function buttons all contribute to the even greater operability achieved by the GXR.
    • The grip form allows the GXR to be firmly held despite its small size, and the suitably yielding rubber material on the grip surface enables the camera to feel like an integral part of the hand.
  3. Even greater power of expression
    • The automatic exposure modes include program shift mode, shutter priority mode, and aperture priority mode.
    • Picture settings can be customized with nine setting levels for easy creation of a diverse range of images.
    • ISO3200 facilitates shooting in low light conditions.
  4. Enhanced rapid shooting capabilities help capture fleeting shutter chances
    • The Pre-AF function accelerates focusing speed by adjusting the focus to match subject movement.
    • The full press snap function shoots at a preset distance for a one-push full-press of the shutter-release button.
    • When shooting subjects up close, the camera automatically switches to macro mode so macro photography can now be enjoyed without having to worry about switching modes.(Auto macro setting)
  5. High-definition 3.0-inch 920,000-dot VGA LCD picture display
    • The high-resolution LCD picture display provides a wide viewing angle and high contrast. The screen has a fluorine coat to prevent soiling, a hard coat to prevent scratches, and an anti-reflection coat to give excellent visibility even outdoors in bright sunshine.
    • With 100% sRGB coverage for color reproduction, the picture display vividly reproduces image colors.
  6. Wide range of functions
    • Tilt indicator utilizing an acceleration sensor.
    • Three grid guides useful for framing images while shooting.
    • Image flag function to enable the quick display of specific images from among those in the camera. Up to 20 images can be flagged.
    • The new DIRECT screen enabling current settings to be displayed and changed.
  7. Features of the GR LENS A12 50 mm F2.5 MACRO camera unit
    • This camera unit uses a 23.6 mm x 15.7 mm (APS-C size) CMOS sensor with approximately 12.30 megapixels. In combination with image processing engine GR ENGINE III, it achieves high-image-quality photography with high definition, low noise, and smooth tonal gradations.
    • A newly developed GR LENS with an 8-group, 9-element configuration (aspherical lens: 1 element, two surfaces) is featured. Representing a further advancement in the GR tradition of high image quality, the lens thoroughly corrects for various types of aberrations. Despite the compact size, it is also a full-fledged macro lens with a floating lens structure. At shooting distances from infinity down to the 1/2x maximum magnification macro range, it achieves strong imaging power all the way to the edge of the frame. In addition, the low level of vignetting means that the photographer can enjoy rich and genuine bokeh effects.
    • The manual focus ring is perfect for use in macro photography as it makes highly precise focusing possible. It can also be used to make fine manual adjustments to the focus after autofocus is done.
  8. Features of the RICOH LENS S10 24-72 mm F2.5-4.4 VC camera unit
    • This camera unit uses a 10.00 megapixel 1/1.7-inch CCD sensor boasting high-sensitivity capabilities enhanced through the adoption of an new process. In combination with advanced image processing engine Smooth Imaging Engine IV, it achieves high-image-quality photography with high definition and low noise.
    • The lens is a 24 mm to 72 mm high-performance 3x wide-angle zoom with superior usability. Utilizing a 7-group, 11-element configuration (aspherical lens: 4 elements, 4 surfaces) that includes special low-dispersion lenses, this lens achieves high dimensions of both compactness and imaging power.
    • A camera shake correction function (image-sensor-shift type) is used to reduce hand- motion blur.
    • The self-retaining lens cap has been a popular GX series option, and a GXR version is available as option LC-2.
  9. New options enhance series expandability
    • Two soft cases, one for each camera unit.
    • The GXR can use the GR DIGITAL III external flash (GF-1), which can do TTL flash using auxiliary flash.
    • Convenient for shooting in bright outdoor situations, the newly developed 920,000-dot- equivalent high-definition LCD viewfinder is removable and can be tilted up to 90 degrees. With a 100% field of view, it displays information in the same way as the picture display, thus enabling the photographer to shoot in a film camera style.
  10. Functions expanded using firmware
    • Function-enhancing firmware releases for the GR DIGITAL series have proved very popular, and this practice will be continued for the GXR. By updating their firmware, GXR owners will be able to use the latest functions.

GXR Options

ProductModel
Hood & Adapter *1, *4HA-3
Wide Conversion Lens *2, *4DW-6
Teleconversion Lens *2, *4TC-1
External TTL Flash *1GF-1
LCD Viewfinder *1VF-2
Cable SwitchCA-1
Soft Case *1, *4SC-55S
Soft Case *1, *3SC-55L
Neck Strap *1ST-3
Self-retaining Lens Cap *1, *4LC-2
Rechargeable Battery *1DB-90
Battery Charger *1BJ-9

*1 Newly introduced options.
*2 Hood & adapter required when using the conversion lenses.
*3 For use with GR LENS A12 50 mm F2.5 MACRO
*4 For use with RICOH LENS S10 24-72 mm F2.5-4.4 VC
* All of the focal lengths in this release are converted to the equivalent values for a 35 mm film camera.

To see the full article click Ricoh GXR

Busted: Canon EOS 1Ds Mark IV Rumor - September 2009?

Status:

Northlight Images are quoting a trusted source as saying:

  • Released around September 2009.
  • Much higher resolution - in line with 50D pixel density (so ~38 Megapixels)
  • 5 f.p.s.
  • 50% better resolution plus lower noise than the Nikon D3x

To see the full article click Busted: Canon EOS 1Ds Mark IV Rumor - September 2009?

Nikon D700s Rumor: First Half of 2010

According to a translation of a Q&A session with Carlos Ormazabal, Nikon Product Manager for Spain, Andorra and Portugal:

"So, if you're willing to wait for the baby D3S, count 6 to 8 months."

He also states this is speculation looking at Nikon's usual timing between releases.

To see the full article click Nikon D700s Rumor: First Half of 2010

Sony A750 Rumor: Leaked on Sony Style

LetsGoDigital have a screen-shot showing a Alpha A750 camera - they don't state where the screen shot came from, and the A750 image looks remarkably like the A700 image (with the lens tint shifted from green to orange).

To see the full article click Sony A750 Rumor: Leaked on Sony Style

Sony A750 Rumor: 14.6 megapixels

According to neutralday.com, they received an email claiming the A750 will be full frame, 14.6 megapixels, 12 bit camera. More specs are given, but the specs are for the sensor only, and if correct, the 15.2 fps scan mode would likely mean this sensor wouldn't support a video mode without a lot of processing on the back end to generate the extra frames.

To see the full article click Sony A750 Rumor: 14.6 megapixels

Canon 70-200 f/2.8L IS II Rumor: January 2010

CR has received an email stating January 2010 is the date:

"Yes, it has been delayed until January now, this is the second time this has happened although this time not due to a technical issues but more marketing. If everything goes to plan (which hardly happens to be honest), January will be a killer month for announcements:

1Ds Mark IV together with the new duo of high end lenses. The 70-200 2.8 IS II and of course the 24-70 II IS."

They rate it as CR1 - their lowest rating - click the source link below for their response.

To see the full article click Canon 70-200 f/2.8L IS II Rumor: January 2010

Nikon AF-S 35mm f1.4 Lens Rumor: Forum Poster Talks To Salesman

According to a DPReview poster:

Rumors, rumors.... we hear them a lot and I have another one for you all. Today I got word from a salesman I know well at my local camera store and it is rumored that Nikon will remake the manual focus 35mm F/1.4 into an AF-S version. This was the classic photojournalist lens back in the day and it is still concidered one of the best Nikon lenses made. The manual USA lens has been discontinued so this rumor may be true ...

The chances of Nikon making this lens are pretty good, so given no timing and the salesman gives no source, this one is pretty weak.

To see the full article click Nikon AF-S 35mm f1.4 Lens Rumor: Forum Poster Talks To Salesman

Canon EF 24-70mm f2.8L IS Mk II Lens Rumor: January 2010

CR has received an email stating January 2010 is the date:

"Yes, it has been delayed until January now, this is the second time this has happened although this time not due to a technical issues but more marketing. If everything goes to plan (which hardly happens to be honest), January will be a killer month for announcements:

1Ds Mark IV together with the new duo of high end lenses. The 70-200 2.8 IS II and of course the 24-70 II IS."

They rate it as CR1 - their lowest rating - click the source link below for their response.

To see the full article click Canon EF 24-70mm f2.8L IS Mk II Lens Rumor: January 2010

Canon EOS 1Ds Mark IV Rumor: January 2010

CR has received an email stating January 2010 is the date:

"Yes, it has been delayed until January now, this is the second time this has happened although this time not due to a technical issues but more marketing. If everything goes to plan (which hardly happens to be honest), January will be a killer month for announcements:

1Ds Mark IV together with the new duo of high end lenses. The 70-200 2.8 IS II and of course the 24-70 II IS."

They rate it as CR1 - their lowest rating - click the source link below for their response.

To see the full article click Canon EOS 1Ds Mark IV Rumor: January 2010

Canon EOS 1Ds Mark IV Rumor: 2011

Northlight Images claim:

In an interesting comment (thanks) from one of our previous sources, we hear that some people at Canon are saying thet the 1Ds3 still has over a year's life, and that Canon will not be releasing a pro camera in 2010.

Nikon doesn't currently have anything over 12 megapixels for under $8k, so while there is not huge pressure there, 2011 does seem a very long wait.

To see the full article click Canon EOS 1Ds Mark IV Rumor: 2011

Busted: Canon 70-200 f/2.8L IS II Rumor - October

Status:

CR is reporting:

I'm told to expect a new 70-200 f/2.8L IS to be announced with the 1D Mark V (Skipping IV?).

The new pro Canon body is widely expected on October 20th.

This lens was first rumored for August release, then September, now October - rumors got more intense (as they always do) when Nikon updated its 70-200mm lens. While a new version is a distinct possibility, we haven't seen anything remotely solid pointing to an imminent release of this particular lens.

To see the full article click Busted: Canon 70-200 f/2.8L IS II Rumor - October

Nikon Hybrid Interchangeable Lens Camera Rumor: Summary

NR has posted an interesting summary based on patents that may or may not indicate an Electronic Viewfinder Interchangeable Lens (EVIL) camera - lots of speculation based on vague rumors, patents for lenses with a 17mm image circle, plus a poorly photoshopped image.

A 17mm image circle is tiny - assuming a 3:2 ratio, this means a sensor approx 9.5mm by 14mm, which is less than a third of the size of the current DX sensors, and almost 1/7th the size of an FX sensor. If real, this will likely be either be low resolution, noisy, or both.

To see the full article click Nikon Hybrid Interchangeable Lens Camera Rumor: Summary

Canon 70-200 f/2.8L IS II Rumor: November 24th

CR claims:

I received notice that there will be a Canon announcement on November, 24, 2009 in regards to a new 70-200 f/2.8L IS II.

Rumors of this lens have been rampant since Nikon updated their equivalent a couple of months ago - we haven't heard anything credible yet.

To see the full article click Canon 70-200 f/2.8L IS II Rumor: November 24th

Canon 70-200 f/2.8L IS II Rumor: January 2010

CR claims:

I did received an email claiming the 24th of November WAS correct but an announcement has been delayed until January.

To see the full article click Canon 70-200 f/2.8L IS II Rumor: January 2010

Canon EF 24-70mm f2.8L IS Mk II Lens Rumor: 2010

CR Claims:

A great source has said this lens is coming in 2010.

To see the full article click Canon EF 24-70mm f2.8L IS Mk II Lens Rumor: 2010

Nikon D4 Rumor: Being Field Tested

NR has linked to a non-US forum which claims:

"Initial Information I received from a senior Nikon position in the USA, that Nikon D4 is already under primary field trial .FF sensor with 18 million pixels, Full HD-quality video as in Canon.

Frame Rate Of 10 images per second, 102,400 Asa quality similar to what today is Asa 25,600 in Nikon D3S. Improving the quality of the existing D3s by two stops.

Most important information: a completely new Autofocus sensor that will enable outstanding autofocus performance. From what I understand, this is a real breakthrough Technology.

I was not told when the camera is expected to reach the market and what will be its price."

While a D4 is almost certainly being worked on, having units out there being field tested when the D3s has only just started shipping seems a little soon...

Also note some comments on NR point to a DPReview forum thread discrediting the author of the original post.

To see the full article click Nikon D4 Rumor: Being Field Tested

Nikon D800 Rumor: Feb or March 2010

According to a comment left on a Photography Bay post:

I quized a Nikon rep today he confirmed the D800 is coming but the release date won't be till Feb March 2010

Obviously we have no way to validate. If correct, that puts the D700 at around 20 months old when it is replaced, which is on the short end for Nikon DSLR's, but possible. However, we'd expect a D700s to be more likely (D700 with video and hopefully the ISO improvements from the D3s) - typically going to a new number implies a new sensor, and we don't really expect a brand new sensor from Nikon until the D4/D400.

To see the full article click Nikon D800 Rumor: Feb or March 2010

Tuesday, November 17, 2009

Sigma 70-300mm F/4-5.6 DG OS SLD (Sigma) Overview

Overview Page added for the Sigma 70-300mm F/4-5.6 DG OS SLD (Sigma) Lens, with photo, description and specifications.

To see the full article click Sigma 70-300mm F/4-5.6 DG OS SLD (Sigma) Overview

Sigma 70-300mm F/4-5.6 DG OS SLD (Pentax) Overview

Overview Page added for the Sigma 70-300mm F/4-5.6 DG OS SLD (Pentax) Lens, with photo, description and specifications.

To see the full article click Sigma 70-300mm F/4-5.6 DG OS SLD (Pentax) Overview

Sigma 70-300mm F/4-5.6 DG OS SLD (Sony) Overview

Overview Page added for the Sigma 70-300mm F/4-5.6 DG OS SLD (Sony) Lens, with photo, description and specifications.

To see the full article click Sigma 70-300mm F/4-5.6 DG OS SLD (Sony) Overview

Sigma 70-300mm F/4-5.6 DG OS SLD (Nikon) Overview

Overview Page added for the Sigma 70-300mm F/4-5.6 DG OS SLD (Nikon) Lens, with photo, description and specifications.

To see the full article click Sigma 70-300mm F/4-5.6 DG OS SLD (Nikon) Overview

Sigma 70-300mm F/4-5.6 DG OS SLD (Canon) Overview

Overview Page added for the Sigma 70-300mm F/4-5.6 DG OS SLD (Canon) Lens, with photo, description and specifications.

To see the full article click Sigma 70-300mm F/4-5.6 DG OS SLD (Canon) Overview

Carl Zeiss Makro-Planar T 2/100 ZF.2 Overview

Overview Page added for the Carl Zeiss Makro-Planar T 2/100 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Makro-Planar T 2/100 ZF.2 Overview

Carl Zeiss Distagon T 2/28 ZF.2 Overview

Overview Page added for the Carl Zeiss Distagon T 2/28 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Distagon T 2/28 ZF.2 Overview

Carl Zeiss Planar T 1.4/85 ZF.2 Overview

Overview Page added for the Carl Zeiss Planar T 1.4/85 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Planar T 1.4/85 ZF.2 Overview

Carl Zeiss Planar T 2/50 ZF.2 Overview

Overview Page added for the Carl Zeiss Planar T 2/50 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Planar T 2/50 ZF.2 Overview

Carl Zeiss Planar T 1.4/50 ZF.2 Overview

Overview Page added for the Carl Zeiss Planar T 1.4/50 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Planar T 1.4/50 ZF.2 Overview

Carl Zeiss Distagon T 2/35 ZF.2 Overview

Overview Page added for the Carl Zeiss Distagon T 2/35 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Distagon T 2/35 ZF.2 Overview

Carl Zeiss Distagon T 2.8/21 ZF.2 Overview

Overview Page added for the Carl Zeiss Distagon T 2.8/21 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Distagon T 2.8/21 ZF.2 Overview

Carl Zeiss Distagon T 3.5/18 ZF.2 Overview

Overview Page added for the Carl Zeiss Distagon T 3.5/18 ZF.2 Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Distagon T 3.5/18 ZF.2 Overview

News Briefs 11/16/2009

Highlights from the last 10 days:
  • Carl Zeiss announces 8 new ZF.2 lenses for Nikon, complete with CPU's to meter with modern digital Nikon cameras. From the Press Release: The ZF.2 lenses are available in eight focal lengths, six of which will be available from the end of November: 3,5/18, 2,8/21, 2/35, 1,4/50, 2/50 and 1,4/85. The Distagon T* 2/28 ZF.2 and macro Planar T* 2/100 ZF.2 will be introduced in Spring 2010. "We are currently completely reworking and optimizing the Distagon T* 2.8/25 ZF. As a result, it will be available for other mounts somewhat later," says Klottig.
  • Nikon has dropped prices in Canada (due to exchange rates).
  • The Sigma 70-300mm F4-5.6 DG OS lens will be available for Pentax and Sony mounts in December 2009
  • Leica hints at technology from the S2 finding its way into a cheaper camera line in an Amateur Photographer article.

To see the full article click News Briefs 11/16/2009

Olympus E-P2 Overview

Overview Page added for the Olympus E-P2 Camera, with photo, description and specifications.

To see the full article click Olympus E-P2 Overview

Olympus M.ZUIKO DIGITAL ED 14-150mm f4.0-5.6 lens Overview

Overview Page added for the Olympus M.ZUIKO DIGITAL ED 14-150mm f4.0-5.6 lens Lens, with photo, description and specifications.

To see the full article click Olympus M.ZUIKO DIGITAL ED 14-150mm f4.0-5.6 lens Overview

Carl Zeiss Distagon T 2/35 ZE Overview

Overview Page added for the Carl Zeiss Distagon T 2/35 ZE Lens, with photo, description and specifications.

To see the full article click Carl Zeiss Distagon T 2/35 ZE Overview

Monday, November 16, 2009

Olympus M.ZUIKO DIGITAL ED 9-18mm f4.0-5.6 Overview

Overview Page added for the Olympus M.ZUIKO DIGITAL ED 9-18mm f4.0-5.6 Lens, with photo, description and specifications.

To see the full article click Olympus M.ZUIKO DIGITAL ED 9-18mm f4.0-5.6 Overview

Olympus E-P2 Reviews

Reviews Page added for the Olympus E-P2.

See Reviews for the Olympus E-P2 from Pro Photographers, Pro Reviewers and Users.

To see the full article click Olympus E-P2 Reviews

Sony Alpha A380 Firmware Version 1.10

Just Released: Sony Alpha A380 Firmware Version 1.10

Release Notes:

Improvements over previous firmware version:

When the [Metering mode] is set to the [Center weighted] or [Spot] metering modes, the exposure will be locked when the focus is confirmed. (When shooting in AF mode).

Click for more info and download links: Sony Alpha A380 Firmware Version 1.10.

To see the full article click Sony Alpha A380 Firmware Version 1.10

Sony Alpha A330 Firmware Version 1.10

Just Released: Sony Alpha A330 Firmware Version 1.10

Release Notes:

Improvements over previous firmware version:

When the [Metering mode] is set to the [Center weighted] or [Spot] metering modes, the exposure will be locked when the focus is confirmed. (When shooting in AF mode).

Click for more info and download links: Sony Alpha A330 Firmware Version 1.10.

To see the full article click Sony Alpha A330 Firmware Version 1.10

Sony Alpha A230 Firmware Version 1.10

Just Released: Sony Alpha A230 Firmware Version 1.10

Release Notes:

Improvements over previous firmware version:

When the [Metering mode] is set to the [Center weighted] or [Spot] metering modes, the exposure will be locked when the focus is confirmed. (When shooting in AF mode).

Click for more info and download links: Sony Alpha A230 Firmware Version 1.10.

To see the full article click Sony Alpha A230 Firmware Version 1.10

Canon EOS 7D Firmware Version 1.1.0

Just Released: Canon EOS 7D Firmware Version 1.1.0

Release Notes:

Firmware Version 1.1.0 incorporates the following fixes.

1. Corrects a phenomenon that in images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible.

Click for more info and download links: Canon EOS 7D Firmware Version 1.1.0.

To see the full article click Canon EOS 7D Firmware Version 1.1.0

Price History: Olympus E-P2

Track the price history and see the latest buying options for the Olympus E-P2.

To see the full article click Price History: Olympus E-P2

Rate: Olympus E-P2

Latest addition to our Rate the DSLR Section: Olympus E-P2

According to Olympus: The E-P2 is the world's smallest 12.

Please cast your votes!

To see the full article click Rate: Olympus E-P2

Saturday, November 7, 2009

Dxolabs News and Rumors

New Section Added: Dxolabs News and Rumors

To see the full article click Dxolabs News and Rumors

Friday, November 6, 2009

News Briefs 11/06/2009

Taken longer to pull this together than expected, with people out sick the past few days. Anyway, here's the news round-up for the past week or so:

To see the full article click News Briefs 11/06/2009

Olympus Announces Expansion of Micro Four Thirds System with Two New Zoom Lenses

Press Release:

Olympus Announces Expansion of Micro Four Thirds System with Two New Zoom Lenses

CENTER VALLEY, Pa., November 5, 2009 – Olympus announces today that it will introduce two new Micro Four Thirds System lenses in the first half of 2010. The new super wide-angle zoom M. ZUIKO DIGITAL ED 9-18mm f4.0-5.6 lens (18-36mm equivalent) and high-power wide to telephoto zoom M. ZUIKO DIGITAL ED 14-150mm f4.0-5.6 lens (28-300mm equivalent) offer amazing optical performance in an extraordinarily compact and lightweight design that translates into taking your PEN camera anywhere for DSLR-quality images and unmatched freedom and creativity.

The Micro Four Thirds System standard meets the telecentric requirements of the 100 percent dedicated digital design, where light rays must strike the imaging sensor nearly head-on for optimum edge-to-edge image reproduction. This is achieved using a much smaller design than the Four Thirds System standard by reducing the outer diameter of the lens mount by 6mm, and the distance from the lens mount to the focal plane (the flange back distance) by approximately half.

The super wide-angle zoom lens currently in development will maximize the advantages of compact Micro Four Thirds System design with a length of only about 50mm (less than two inches), making it significantly smaller than the Olympus ZUIKO DIGITAL ED 9-18mm F4.0-5.6 (designed for the Four Thirds standard), which has an identical zoom range. In the same manner, the high-power wide to telephoto zoom lens currently in development will be extremely compact, with an exceptionally small lens barrel diameter of only about 65mm (2.5 inches). Offering a zoom range that covers the most commonly used focal lengths, the lens will be compact enough to conveniently leave mounted on the camera all the time.

Both lenses will use ED (Extra-low Dispersion) glass elements to suppress the color aberration that can degrade image quality, particularly at wide-angle focal lengths. As a result, they will offer truly uncompromising image quality and brightness in an extremely compact package.

The two new lenses are being designed for use with the Olympus PEN E-P1, which was introduced in June to an overwhelmingly positive response, and the E-P2, which was also announced today, as well as any other current and future cameras that comply with the Micro Four Thirds System standard. When mounting the lenses on any Olympus PEN camera, users also can take advantage of the camera's in-body Image Stabilization system, which offers effective camera shake compensation at all focal lengths.

The Olympus E-System, based on the Four Thirds and Micro Four Thirds standards, is designed with revolutionary features that expand the frontiers of digital photography. The ZUIKO and M. ZUIKO lenses offer a 100 percent digital design for edge-to-edge sharpness in a durable yet portable system. Olympus pioneered Full-Time Live View, Dust Reduction and other innovative technologies, leading where others have followed. Proof that Olympus enables consumers to capture it all.

To see the full article click Olympus Announces Expansion of Micro Four Thirds System with Two New Zoom Lenses

Thursday, November 5, 2009

The Olympus E-P2

The E-P2 should be available in December 2009 at an initial retail price of $1099.

Press Release:

Olympus E-P2

CENTER VALLEY, Pa., November 5, 2009 – Less than six months after launching the groundbreaking PEN E-P1 Micro Four Thirds camera, Olympus proves that evolutionary change can happen incredibly fast by releasing the E-P2 with even more power and performance. The new PEN, like the E-P1, is the world's smallest 12.3-megapixel interchangeable lens system with In-body Image Stabilization. It blends the high-quality still images like that of a DSLR with High Definition (HD) video, stereo Linear PCM audio recording and In-Camera Creativity inside an ultra-portable body. Along with several new features, and eight in-camera Art Filters that can be applied to still images and HD videos, the result is mighty powerful and creative.

The innovative E-P2 offers more of what photo enthusiasts have been asking for:

  • A stylish retro black metal body reminiscent of a traditional PEN camera;
  • Accessory port to accommodate the included detachable VF-2 Electronic View Finder (EVF) or optional external microphone adapter EMA-1;
  • A newly-developed Continuous Autofocus (C-AF) Tracking System tracks the subject across or back-and-forward through the frame;
  • Two new art filters: Diorama & Cross Process for greater creative expression in your still images and HD videos;
  • iEnhance to automatically adjust color and contrast for a more dramatic effect;
  • Full Manual Control of shutter/aperture in Movie Mode; and
  • HDMI Control of camera's playback functions using the TV Remote when the camera is connected to an HDTV.

"The high demand for the E-P1 demonstrates that today's photo enthusiasts and consumers want the high-quality imaging like that of DSLRs in a compact retro design. The fact that it also offers HD video, creative functions and high-end stereo sound makes it even more desirable," said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. "The new PEN builds on the success of the E-P1 by adding many of the features that were on enthusiasts' wish list for the second generation: an EVF for composing with your eye close to the camera, the ability to add an external microphone, C-AF tracking, and a black metal body. With each new PEN, Olympus continues to enhance the line, and the future looks very bright."

The E-P2 comes with either the small and lightweight Olympus M. ZUIKO Micro Four Thirds lenses: 14-42mm f3.5-5.6 (28-84mm equivalent) or 17mm f2.8 (34mm equivalent). The camera adds to the new category created by the E-P1: Not a P&S. Not an SLR. It's a PEN.

  • Accessorize: Everything Goes with Basic Black
  • The E-P2 incorporates a new port for connecting new accessories including an optional EMA-1 Microphone adapter and the VF-2 live-finder, a detachable electronic viewfinder that comes with the E-P2. The live-finder easily slides onto the camera's accessory port and hot shoe when needed to provide 1.15x magnification, a 100% field of view with amazing resolution, brightness and contrast. The viewfinder refreshes quickly to minimize image ghosting on fast-moving subjects.
The VF-2 rotates up to 90 degrees to enable photographers to look down into it, which is useful when shooting subjects from challenging angles. The built-in diopter adjustment and high magnification offer easy viewing with and without glasses.

For those who want to capture enhanced audio, the new EMA-1 external microphone connector can be plugged into the new camera's external accessory port. The connector will accept the optional Olympus ME-51S stereo microphone or any microphone of their choice.

Olympus has a variety of other accessories to maximize the functionality of the new PEN, including the previously released 14-42mm and 17mm Micro Four Thirds lenses. The MMF-1 Four Thirds System Lens Adapter makes E-P2 compatible with all Olympus ZUIKO Digital SpecificTM lenses and other Four Thirds System lenses from Sigma, Panasonic and Leica.

Olympus OM film-based lenses can be attached to the E-P2 with the MF-2 OM Lens Adapter. Additionally, an optional FL-14 flash unit, suitably small for the camera, adds more lighting versatility to your shots.

Stay focused on Your Targets Wherever They Roam

  • Sometimes it can be hard enough to keep up with kids, let alone take pictures of them. The E-P2's new C-AF Tracking and AF Target Registration locks your subject into focus, and constantly adjusts focus and brightness whether you or your subject is moving. With this mode, a simple push of the shutter release enables you to keep fast-moving and unpredictable subjects in focus – tracking subjects from left to right and from front to back – within the frame, automatically ensuring that even active subjects are captured clearly.

Even More Ways to Create

Olympus pioneered easy-to-use in-camera art filters for still images captured inside its E-System DSLRs. It was the first company to offer the ability to apply art filters to High Definition video recordings captured with the E-P1. Now, the E-P2 continues this tradition of innovation with eight in-camera art filters, including two new filters: the Diorama and Cross Process. The Diorama art filter gives users a miniature model photo feeling by narrowing the depth of focus and enhancing color and contrast. The selective focus that this filter offers lends intimacy to images of even the largest subjects like canyons or cityscapes.

The Cross Process art filter offers an unexpected look to images and videos by changing the color and contrast of subjects on the fly. Using this mode can result in surreal other-worldly images. Whether you're a videographer, documentarian or established director – or just want to shoot like one – Art Filters set your images and videos apart from the pack. Since they're built into the camera, you can achieve dramatic results on the go without needing a computer or editing software. These new filters are a welcome addition to the Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film and Pin Hole filters previously available on the E-P1.

Because the PEN is an interchangable lens system camera, you also have more creative options for video capture. You can attach any one of the new super-compact Micro Four Thirds lenses or, because the camera can accept many of the other Four Thirds Format lenses with an available MMF-1 Four Thirds System Lens Adapter, you can add anything from an extreme wide-angle fisheye lens to a super telephoto lens for a wide range of expressive options. All the while you will have more DSLR-like control over depth of field, focus, white balance and ISO. It begs the question, "What will you create?"

iEnhance for Radiant Colors

The E-P2 includes a new picture mode called iEnhance, which analyzes colors and brightness. The new mode mimics what the naked eye sees. For example, a beautiful sunset looks awesome in person and generally seems to fade when captured in an image. With iEnhance, the warm yellow and orange colors are heightened to be brilliant and closer to the actual scene. The result is exceptionally clear imaging with a dramatically lifelike color. iEnhance can be used in any shooting mode – from program to manual – and automatically engages when in iAuto.

HDMI Control from Your HDTV Remote

The new PEN makes sharing your content easier than ever. Just connect the E-P2 to your HDTV with an optional HDMI cable and use your HDTV's remote to control playback functions and navigate the camera's menus from the comfort of your favorite couch or chair.

Manual in Movie Mode

The E-P2's manual movie mode allows for independent control of aperture and shutter for expanded exposure and creative control. Now you can adjust the shutter to control the depth of focus while using the aperture to set the overall brightness of the video. This level of control allows you to express your vision exactly how you want in your HD videos.

Make a Design Statement

The E-P2's high-end, stainless-steel all-black body is easy to handle and carry, and has the styling and refinement of a precision chronometer. Its retro-chic look turns heads, from tech-aficionados and camera buffs to the style-conscious and everyday point-and-shooter. Built rock solid, it fits comfortably in a jacket pocket or a handbag for impromptu street-shooting or any spontaneous adventure. The E-P2 lets you do more and go more places while capturing your life, thanks to its compact size – 4.74″(W) x 2.75″ (H) x 1.37″ (D) – and light 11.1-ounce body. Attention to detail is visible in every aspect of the PEN's design, including the currently available small and lightweight 14-42mm and 17mm M. ZUIKO DIGITAL lenses as well as the newly announced 9-18mm f4.0-5.6 (18-36mm equivalent) and 14-150mm f4.0-5.6 (28-300mm equivalent) M. ZUIKO DIGITAL lenses.

Ultra-Compact Body Delivers Superior Image Quality

The E-P2 has everything you need to produce vibrant DSLR-quality images: a large 12.3-megapixel imager, In-body Image Stabilization, fast Imager Autofocus, the proven Olympus Dust Reduction System and the new TruePic V Image Processor.

As the second Micro Four Thirds camera from Olympus, the E-P2 provides the same image quality as current Four Thirds format E-System cameras because it has the same image sensor size as the E-30 and E-620 DSLR models, but in a much smaller body. This high-performance 12.3-megapixel Live MOS image sensor delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

The E-P2's Live MOS image sensor is complemented by Olympus' TruePic V Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings (ISO 100 to ISO 6400), enabling great results in low-light situations.

Be a Mover, Not a Shaker

Any lens attached to the E-P2 will deliver blur-free images thanks to three modes of In-body Image Stabilization that compensate for up to four steps EV (exposure value). Mechanical Image Stabilization automatically compensates for camera shake in low light or when shooting without a tripod. Since the PEN is the world's smallest interchangeable lens camera with In-body Image Stabilization, you'll feel comfortable taking it on the road with you to capture the action. As an added advantage, the built-in image stabilization works not only with the M. Zuiko lenses but all Four Thirds lenses and even older OM film-based lenses when used with the appropriate adapter for the E-P2.

Small Real Estate with an Amazing 3-Inch LCD View

Consumers accustomed to composing and focusing using a point-and-shoot camera's LCD will appreciate the E-P2's 100 percent accurate, 3-inch full color HyperCrystal LCD, which gives them the same easy, seamless experience when shooting still images or videos. The camera's Live Control function makes it easy to compose, edit and shoot pictures or videos without stopping to access various menus. The E-P2's fast Imager Autofocus in Live View also enables you to compose, focus and capture the shot quickly and easily without ever taking your eyes off the large LCD. The LCD displays 230,000 pixels in vivid color and includes HyperCrystal technology, which offers many times the contrast of conventional LCD monitors for easier viewing in both preview and playback. It also provides a wide viewing angle of 176 degrees, which ensures that images can be composed from even the most obscure angles.

This Camera Leaves Others in the Dust

You don't have to waste precious time worrying about dust ruining the perfect image; instead, spend more of that time shooting with the E-P2. The proven Olympus Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter, a patented ultrasonic technology that vibrates to remove dust and other particles from the front of the image sensor, capturing it on a special adhesive membrane every time the camera is turned on.

What You See Is What You Get

When viewing the LCD in Live View, Art Filter effects and settings like white balance and exposure are viewable right on the LCD, and their impact is seen instantly on the display. Real-time monitoring offers amazing versatility and creative control, and users who apply a setting have instant gratification because what they see on the camera's LCD is what they've captured. For musicians used to applying audio effects like reverb to their instruments before recording them, the concept of setting the E-P2 to capture precisely the kind of image they want before they press the shutter makes perfect sense. For imaging purists who want to shoot without filters, and apply them to images inside the camera later, or just edit images back at their computers, the E-P2 provides these options and opens more in-the-field creative possibilities.

Mix It Up with Multiple Exposure

With the E-P2's Multiple Exposure function available for still image capture, you are free to tell a visual story your way, whether in a portrait, a landscape or a combination of both. The image capture options allow you to shoot one shot, then another and combine them in real time, or capture both shots separately and combine them in the camera later. Overlay your face on top of your pet's face. Create an "identical twin" of yourself. Put the moon in the sky at noon. Your ability to manipulate space and time makes this new creative multimedia device a veritable time machine.

Frame Your Works of Art Inside the PEN

You can often achieve greater photographic expression by framing a scene in a unique way. The E-P2 provides four aspect ratios that serve as masks to frame your image to the desired proportions, including: the standard 4:3 aspect ratio that is suited to an 8 x 10-inch enlargement; the 16:9 aspect ratio that will display your images beautifully on a widescreen television; and other popular aspect ratios such as 3:2 and 6:6. The Multi-Aspect Shooting further expresses your creative vision when combined with Art Filters and multiple exposures. What will you create?

Stereo Audio Sounds As Good As the PEN Images Look

Like the innovative Olympus LS-11 portable audio recording device that puts the power of a recording studio in your pocket, the E-P2 features uncompressed CD-quality 16 bit/44.1kHz Linear PCM stereo recording capability to capture the rich sound quality of your scene. When you shoot with the E-P2, it's like having a sound technician built into your camera to capture the nuances of the audio happening all around you. It has the versatility to record and play back in the WAV format and can record with its built-in stereo microphone. Whether recording audio while shooting a video or adding audio by recording a narration to your still images, the E-P2's audio sounds as great as its images look. Now, with the new stereo microphone adapter, there is new freedom in audio capture with the PEN.

Create Your Own Multimedia Slideshows with Stills, Video and Audio Inside E-P2

Content is king, and with the E-P2 you have your own portable kingdom of still images, HD video, and audio to remix at your command. In playback mode you can seamlessly mix stills and movies inside the camera to create a multimedia slideshow; dub in one of five built-in dramatic background music options to provide a soundtrack for your cinematic creation. Plug the E-P2 into any HD television with an HDMI cable and show off your masterpieces to your audience before your DVD arrives in stores!

As Easy to Use as a Point-and-Shoot with SLR-Quality Technologies

The E-P2 is equipped with 19 scene-select modes for effortless picture taking. Standard scene modes like Night-Scene, Portrait and Landscape are easy-to-use solutions for everyday shooting. Capturing beautiful portraits is easy with the new ePortrait Mode. It enables you to smooth your subject's skin – all in the camera and before capture! Additionally, edits can be made post-capture using the ePortrait mode.

Shooting scenes with both highlights and shadows can often be a challenge because of the extreme contrast between dark and bright areas. The E-P2 addresses this challenge with Shadow Adjustment Technology that adjusts for extreme light variations and maintains visible detail in both the shadow and highlight areas of the scene. Now users can see and preview the gradation on the Live View LCD and capture images showing the shadow detail they saw. This feature is also accessible in the Edit menu after the shot has been taken.

The E-P2's Face Detection reduces the chance of blurred subjects in images by recognizing up to eight people's faces and the background, tracking the faces within the image area, even if people are moving, and automatically focusing and optimizing exposure for sharp, brilliant portrait pictures (ideal for large family or party group photos).

Don't like changing camera settings for each shooting situation? The E-P2's Intelligent Auto Mode automatically identifies what you're shooting (Portrait, Landscape, Night + Portrait, Macro, Sports) and adjusts settings to capture the best result depending on the situation. First-time users will enjoy this quick and hassle-free feature, which does the thinking for them and produces incredible images like a pro.

The E-P2 offers ease-of-use and flexibility to meet your shooting style. Choose the Live Control technology, an advanced control panel system that incorporates the use of the sub dial and enables you to see the image and the menu controls all at the same time on the LCD. As a result, you can use the main and sub dials to select modes and adjust settings without having to take your eyes off the subject. Or if you prefer, shoot with the Super Control Panel, which is familiar to any serious shooter. These options along with the camera's intuitive button layout make the camera simple to use. The E-P2 records to SDHC media cards to accommodate large files including videos with In-Camera Creative Features and uncompressed audio.

Digital Leveler

The E-P2 is equipped with an internal Digital Level Sensor that detects the camera's pitch and roll and indicates it on the control panel. This Digital Leveler is a tremendous benefit when capturing architecture and landscapes. Level the perfect coastline shot on your next tropical vacation without being tethered to a computer and editing software.

Magnified Focus Assist

The E-P2 provides two optional methods to help the user focus: a Magnified Focus (MF) Assist Function and Magnification Display. When using manual focus, the MF Assist feature aids with critical focus by allowing you to zoom in on part of the image by simply turning the focusing ring on the front of the lens. The Magnification Display enables you to selectively enlarge the image on the LCD at the touch of a button. This mode works for both autofocus and manual focus. Both MF Assist methods provide up to a 10x magnification of a single point of the image for critical focus; perfect for macro or still-life photography.

18×18 Metering Modes

This mode divides the image area into an 18 x 18 grid, metering each of the 324 separate cells to obtain optimum exposure. In addition to 324-division ESP metering, center-weighted metering and spot metering modes are also available.

OLYMPUS Master 2 Software

Use the included OLYMPUS Master 2 software (Mac and PC) to easily download images and videos from the camera or other external device, such as a USB drive, and automatically organize them into albums and groups and by date. Develop high-quality RAW images, apply Art Filter effects, edit and print images. Also, apply the most common editing functions to your HD videos. Update camera and lens firmware through the software and download additional menu languages. A direct link makes uploading your images and videos to YouTube easier than ever.

OLYMPUS Studio 2 (Trial Edition Included)

Extend the capability of Olympus Master 2 with Olympus Studio 2. In addition to the functions of OLYMPUS Master 2, this software includes a lightbox mode and selection marks for comparing and sorting multiple images. RAW processing is enhanced with additional controls for finer adjustments. The trial edition can be used for 30 days after installation. After the trial period has expired, a license key is required for further use.

Availability

The Olympus E-P2 will be available in December 2009. It includes E-P2 Body, VF-2 Electronic View Finder, ED 14-42mm f3.5/5.6 Zuiko Digital Zoom Lens or 17mm f2.8 Zuiko Digital Zoom Lens, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS Master 2 Software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations:

E-P2 Body with ED 14-42mm f3.5/5.6 Zuiko Digital Zoom Lens and Electronic View Finder - Estimated Street Price: $1099.99

E-P2 Body with 17mm f2.8 Zuiko Digital Zoom Lens and Electronic View Finder - Estimated Street Price: $1099.99

To see the full article click The Olympus E-P2

Wednesday, November 4, 2009

Power Accessory Rankings

Rating/Ranking Page added for Accessory Type: Power.

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Misc Accessory Rankings

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Leica Accessory Rankings

Rating/Ranking Page added for Accessories from Leica.

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Leica SF 58 Flash Unit Overview

Overview Page added for the Leica SF 58 Flash Unit, with photo, description and specifications.

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